The Year’s Best Science Fiction, Vol. 1 (ed Jonathan Strahan, Saga Press 2020)

Strahan racked up #13 volumes of his Best SF&F of the Year anthology, initially published by Nightshade Books, and latterly by Solaris Books. It would appear that Solaris Books is now in ‘reduced circumstances’ and is now an imprint of another publisher who has a target audience isn’t really up for a hefty Year’s Best collection of short stories. This volume is SF only, from Saga Press, a publisher whose name raises a smile over her in the UK as Saga is a Big Name in providing services and holidays for retired people.

Anyhoo, this volume arrived on the doorstep very soon after Neil Clarke’s ‘competing’ volume, so that’s two anthologies to read in less than 12 months, which is a bit of an ask for me these days! As per Clarke’s volume, I’ll note the contents here and fill in reviews/summaries/notes as I work my way through the volume. The book has a text-only approach, with a front cover that isn’t full width, revealing a yellow strip of the page underneath. Is Saga staffed by crazy mofos or what??

It looks like there are only four or five stories which appear in both Strahan’s and Clarke’s take on what constitutes the Year’s Best, so lots of reading!

Charlie Jane Anders. The Bookstore at the End of America.

Tobias S. Buckell. The Galactic Tourist Industrial Complex.

Indrapramit Das. Kali_Na.

Saleem Haddad. Song of the Birds.

Suzanne Palmer. The Painter of Trees.
Originally published in Clarkesworld Magazine #153, June 2019 and still online

Also in the Neil Clarke take on the year’s best, where I read it and noted : “A short, simple but effective vignette from Palmer. Humanity is spreading remorselessly throughout the universe, as the native intelligence life on one planet has found to their cost. There are but a half dozen of them left, in the final, small corner of their planet that has yet to succumb to the terraforming. There is one human who has some regret at the costs, and reflects on the loss of the habitat and its inhabitants, but it’s too little, too late.”

Karin Tidbeck. The Last Voyage of Skidbladnir.

Malka Older. Sturdy Lanterns and Ladders.

Ted Chiang. It’s 2059 and the Rich Kids are Still Winning.

Rich Larson. Contagion’s Eve at the House Noctambulous.

Han Song. Submarine.

S.I. Huang. As the Last I May Know.

Fran Wilde. A Catalog of Storms.

Anil Menon. The Robots of Eden.

Alice Sola Kim. Now Wait for This Week.

Peter Watts. Cyclopterus.

Suzi Davies Okungbowa. Dune Song.

Tegan Moore. The Work of Wolves.

Elizabeth Bear. Soft Edges.

N.K. Jemisin. Emergency Skin.
Originally published in Amazon Forward Reads, 2019.

Also anthologised by Neil Clarke, where I noted : A story I really enjoyed reading. The protagonist is on a mission, to return to humanity’s homeworld, Tellus. He has been enclosed in a temporary skin, which will become permanent at the end of his mission and his return, and he has an embedded AI to help him on the mission. It transpires though that the homeworld hasn’t succumbed to environmental collapse, and, indeed those who remained on Earth have flourished *because* rather than *despite* the loss of the rich elite who fled generations ago. Jemisin drip feeds the reader as the story progresses with information about what has happened, which kept this reader engaged. Admittedly the solution to Earth’s problems is a little simplistic and idealistic, and conservatives will doubtless object but hey, I’d contribute to a Kickstarter to help the rich elite flee the Earth. [28-Nov-2020]

Ken Liu. Thoughts and Prayers.

Alec Nevala-Lee. At the Fall.

Vandana Singh. Reunion.

E Lily Yu. Green Glass : a Love Story.

Sophia Rhei. Secrets Stories of Doors.

Greg Egan. This Is Not The Way Home.

Chinelo Onwualu. What The Dead Man Said.

Fonda Lee. I (28M) created a deepfake girlfriend and now my parents think we’re getting married.

Caroline M. Yoachim. The Archronology of Love.

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