Last year, following the sad loss of Gardner Dozois, Neil Clarke became the *only* anthologist of a Year’s Best SF volume (exclusing the SF&F anthologies, obviously). This year, Clarke is now *just* the longest-running Year’s Best SF anthologist, as he has reached volume 5, with Jonathan Strahan leaving his SF&F series for an SF-only series from publisher Saga Press. And that means just one SF&F volume for 2020.
So, what of this, his latest volume. It follows the same presentation as the previous volumes, and of the 11 authors named on the front, I recognise 10 of them FWIW. What I will do is start off now (20th Nov 2020) with a listing of stories and their sources, and work my way through the book, reading stories and putting reviews/summaries/notes as I go along.
Suzanne Palmer. The Painter of Trees.
Originally published in Clarkesworld Magazine #153, June 2019 and still online
A short, simple but effective vignette from Palmer. Humanity is spreading remorselessly throughout the universe, as the native intelligence life on one planet has found to their cost. There are but a half dozen of them left, in the final, small corner of their planet that has yet to succumb to the terraforming. There is one human who has some regret at the costs, and reflects on the loss of the habitat and its inhabitants, but it’s too little, too late.
Not the most cheering of reads, and I’m glad I read it post-2020 US Election and with news of vaccines, rather than in the middle of 2020! (Also anthologised by Jonathan Strahan in his take on the year’s best SF. [27-Nov-2020]
A story I really enjoyed reading. The protagonist is on a mission, to return to humanity’s homeworld, Tellus. He has been enclosed in a temporary skin, which will become permanent at the end of his mission and his return, and he has an embedded AI to help him on the mission. It transpires though that the homeworld hasn’t succumbed to environmental collapse, and, indeed those who remained on Earth have flourished *because* rather than *despite* the loss of the rich elite who fled generations ago. Jemisin drip feeds the reader as the story progresses with information about what has happened, which kept this reader engaged as did the perspective being from the embedded AI, and its responses to questions from its host. Admittedly the solution to Earth’s problems is a little simplistic and idealistic, and conservatives will doubtless object but hey, I’d contribute to a kickstarter to help the rich elite flee the Earth. Also anthologised by Jonathan Strahan in his take on the Year’s Best SF. [28-Nov-2020]
Winner of the Asimovs Readers Poll in the Novelette Category for 2019. It’s a story of two halves. I liked the first half – the setting (massive spaceship en route to New Earth using alien tech) and the setup (a psychotherapist, with guilt over leaving his young son behind, is brought out of coldsleep to help with another passenger having problems with guilt over an extramarital affair). Instead of the second half being a psychological exploration of guilt in these circumstances, there’s some ‘tommy rot’ (as we call it in the UK) about passing through a gravity wave that enables creatures from another brane universe to pass across and latch onto people’s guilt to substantiate themselves as demonic creatures of the shadows. And the second half becomes a Stephen King-like horror story (apologies for my horror references being some 30 years out of date, I never did get into horror to any extent after a few early King novels). The guilty passenger gets chomped by the monster, but the protagonist faces up to it and survives, but in aborting his trip at a layoff out near Pluto, he chats with an incoming passenger who (as tends to happen in horror stories/films) *also* has guilt over leaving her daughter behind, and who (we see in the final paragraph) is going to have the horrors during her voyage. The protagonist turns his back on them and heads home. Not the sort of ending that you find in SF although the kind of ending you get in horror movies/tv series, setting up more horrors beyond the conclusion of the story. [28-Nov-2020]
An interesting story, though missing just that little extra to make it into a Year’s Best, IMHO. The story : the expanding human race have come across an intelligent species who are mining on a planet’s moon, and the commander of the Marines on the human vessel disobeys the overall leader’s order to kill the aliens. She faces off with the captain and has to make a decision between loyalty to the human race, or remaining true to her moral code and refuse to murder. She decides on the latter, and her marines are loyal to her. I was slightly put off by a plethora of similes in a couple of sentences at one point, and in a few cases there were a few breathless paragraphs, which read a little awkward. But overall the story moved along rather too quickly and simply for me, and the dramatic ending felt a little clumsy, and I could easily believe it was taken from a Netflix original tv series or somesuch. Evidently it’s a story from the author’s ‘Warchild’ setting which looks to be a Young Adult novel, and maybe that’s the case with this story and the reason for this Old Adult not really getting enough from it? Maybe a YA who loves the book series will find this story a big treat. [30-Nov-2020]
A story by an author new to me. The author bio states that she has played both OL and DL for the Cleveland Fusion woman’s tackle football team, so I was liking the cut of her jib already. And the story gave me as much pleasure as watching Aaron Donald knock a QB on their backside. Her story runs smoothly and effortlessly with some good characterisation and dialogue, as a stowaway finds that she might have a way out of the predicament that the ship is in. And it’s not Scientist Fiction where the solution is an obscure scientific or technological thing, it is, as you might guess from the title, knitting that is going to be the solution. And as an aside, knitting was my mum’s thing and she’s been gone some 25 years now and the story gave me an opportunity to dust off some memories and think about that Kaffe Fassett she knitted me back in the day. I try not to think of the knitted woollen balaclavas she knit in the 1960s when I was a young boy, as those itched to high heaven. [30-Nov-2020]
This short piece had a retro-feel to me, very much the kind of story that was popular in the 1950s. There’s no real ‘story’ as such – a young man gets a phone call from himself from the future, a future where climate change has wreaked havoc. His future self passes on details of a technology which will save the future from the fate. Problem is, having resolved to promote this technology, there’s immediately another call, from another future self, who has to report unintended consequences (of a disastrous nature) of that future tech. This new version of himself in a new future, has his own technology to pass back down to his earlier self, to save the planet. Problem is, that technology is also doomed to unintended consequences. And so on. So the story is a simple idea, with dialogue between the young man and his future selves, some extrapolation of potential ecological solutions and their flip sides, but not a whole lot more. [24-Dec-2020]
From a collection of stories in which space farers have to overcome a tricky problem to survive. The tricky problem in this story is of a cold equations type. The story very much feels like an Alastair Reynolds story. Far future humanity, post-something, where an organic spaceship from a matriarchal society has to escape some hi-tech hunter killer vessels who are programmed to destroy anything resembling technology. The Mother Superior has to work out how to flee a nearby hunter killer without giving away any evidence of their technology. This leads to some tricky math, especially as there are some male stowaways which skew the math. There is pressure on her from others to initiate a protocol which would have the males on board jettisoned (there is a small crumb of comfort for them – they would be given the opportunity to have a wank before that happens). However, with a bit of biology, rectal thermometers, and restricting activity, there is a window of opportunity. A good story and characterisation and I’d be happy to read more from this setting. [14-Jan-2021]
Elizabeth Bear. Deriving Life.
Originally published on : Tor.com, January 2019.
If you’re reading this then you clearly like great SF short stories, so make sure to read the story (link above) before reading what I have to say about it.
What I have to say about it is that it is a great, thought-provoking read. It’s near(ish) future, just far enough in the future for The Great Melt to have happened, and climate/carbon to be a major background issue. The protagonist, Marq, is struggling to cope with the imminent death of his primary lover, Tamar, who is in a hospice. It’s a complicated issue for several reasons – the sfnal one being that Tamar is dying early on account of him having chosen earlier in life, to host an alien life, one that lives as a metastatic cancer, and whose growth is finally killing. (But that alien life has given him healthy years, which he wouldn’t otherwise have had). Marq has issues with losing Tamar, who he loves dearly, and is considering losing himself, who he loves much less dearly. The story is neatly structured, and the themes of love, loss, and self are thought-provoking. I took my time reading this to savour it, and also went back to the start halfway through when I realised exactly what was happening. [11-Feb-2021]
Quite a short story, with no sfnal elements, and a bit of a headscratcher to be honest, as there’s just so little to it. A near future scientist spots some deep ocean floor activity by teeny squids, and she manages to dodge the objections by ocean-mining companies whose work this finding may affect their operations by knocking on someone’s door. Unless I’m missing something! [12-Feb-2021)
Rebecca Campbell. Such Thoughts Are Unproductive.
Originally in : Clarkesworld Magazine #159, December 2019 and still online
A standout story. It’s nearish future, Canada, and in addition to the climate change shit which has to be dealt with, there’s an oppressive surveillance state, with AI helping to analyse vast volumes of digital data to identify those deemed to be a risk to the state. The protagonist is a young woman whose mother has been identified as such, and has been taken away, possibly to a re-education centre. The daughter has contact with her via video-conferencing, but is not even sure whether it is her mother on an AI-controlled deepfake. A visit by a woman who may/may not be her aunt, or a government stooge causes further disorientation, and in a hopeless world the chance of a few minutes with her dad seems to be worth a big price. [22-Feb-21]
A young academic returns to his homeworld, some ten years after revealing the guilty secret about the indigenous creatures that the human settlers have been hiding. He has some ghosts to confront, and we find out more about his father and mother as the story develops. An engaging story. [23-Feb-21]
Dominica Phetteplace. One Thousand Beetles in a Jumpsuit.
Originally in Lightspeed Magazine #111 August 2019 – and still online.
A young woman, fed up with her service industry ‘job’ and after a breakup, decided on a fresh start, exploring wilderness near the Mexican border for a megacorp, who are testing out drone and bot supported missions with an eye on Mars. Turns out the bots are more trustworthy than the megacorp, and she finds depth of inner resolve to face the challenges thrown at her and grasp the opportunity proferred. A nice enough story, but not a Year’s Best standard for me. [2-Mar-21]
88 pages in the volume, athough in the paperback version it’s twice that number! It’s good to have such a substantial story appear in a Year’s Best collection. It’s a clever story, which kept me engaged to the end, wondering how it was going to work out. The story starts in the late 21st century, in a future that is desperate for humanity – ‘The Scourge’ has seen insects vanish from the planet and the knock on effects, and related issues have us down to the last generation (sterilisation is compulsory as there is no future for children, so no point in having them). The protagonist is a teacher, brought into a top secret mission that is attempting to get back into the past to make a change to save the future. We start with her in the middle of the mission, and follow her as she makes a couple of visits and returns to her time, whilst reflecting on her past and joining the mission. Reynolds handles it deftly (just a couple of lengthy infodumps), teasing some issues to be clarified later, with one canine OMG moment, and some braniac quantum theory behind it all. [9-Mar-21]
A story with an enhanced dog as the POV protagonist. Sera is intelligent (virtually human level), and is connected to the web and other services. A search and rescue dog, her main concern is how to win the affection of her handler, who just doesn’t seem to care as much about her as her previous, non-enhanced rescue dog. The pair are called in or an altogether different mission, to chase down domestic terrorists in a nuclear facility. Turns out that the main terrorist is an enhanced rat, and Sera finds out more about the cause for which the rat is fighting, and we find out more about Sera. The story moves along quickly, although TBH the extent to which the dog and the rat had been enhanced did strain my credulity a bit. [10-Mar-21]
A Que. Song Xiuyun. Translated by Emily Jin.
Originally in Clarkesworld Magazine, #157 October 2019, and (a href=”http://clarkesworldmagazine.com/a_10_19/” target=”_new”>still online.
Wu Huang lies on her bed in her parent’s house, brain-control helmet enabling her to remotely control her taxi cab. It’s a quiet night, but she picks up an older woman and her adult son, and in driving them to the bus station, hears the mother’s tale. She has been to Beijing to visit her son, and she relates the strange story of his reclusive life in his expensive apartment. He has a couple of secrets hidden from his mother, and something else hidden in the basement… Nice to have a different perspective, feeling similar to the Oscar-winning Parasite movie. [13-Mar-21]
Vandana Singh. Mother Ocean.
Online at The Fiction Project and still online.
I was looking forward to some deep space hard SF from Singh, which she does so well, but in fact this story is earth-bound. Well, not actually earth-bound, as the focus of the story is the ocean, and the strong, but unexplained ties that the protagonist has for it. There’s not a whole lot in the story to mark it out as SF – it’s near future, with just a bit more stupid far-right capitalist planet fucking happening, and a bit of science enabling the protagonist to communicate on a basic level with a blue whale. There is a bit of drama, and the protagonist, an Indian woman, realises just what her link to water is founded on. A nicely told story, but nothing to stick too strongly in the mind (or at least in this mind with more than six decades of stuff already in it). Jonathan Strahan has a different story from Singh in his take on the Year’s Best SF for the year, so twill be interest to compare an contrast the pair. [24-Mar-21]
Karen Osborne. Cratered.
Originally online on Future Science Fiction Digest June 2019, and still online.
There’s some parts of the story I liked, and other parts less so. I liked the softer, human elements – scientists on the moon, working under a devastated Earth hanging above them, each of them suffering terrible loss, and trying, with varying degrees of success, to get over that loss. The protagonist is mourning her lover, but when out on a rock-hunting recce she and a colleague stumble across an incongruous object – a fireplace. Furthermore, it’s both her fireplace from back on Earth, whilst at the same time being the family fireplace of her colleague. There’s a mystery to be solved, and it turns out to be not only incongruous, but deadly so. Turns out it’s augmented reality, but of a very high standard (a bit too high standard for me.) I’d have preferred the story to ease right back on the fireplaces and the risk it generated, and focus on something subtler. It didn’t really feel like a Year’s Best story to me. [7-Apr-2021]
Ann Leckie. The Justified.
Annalee Newitz. Old Media.
Alec Nevala-Lee. At the Fall.
Ray Nayler. The Ocean Between the Leaves.
Aliette de Bodard. Rescue Party.
John Chu. Close Enough for Jazz.
Carolyn Ives Gilman. n the Shores of Ligeia.
Yoon Ha Lee. The Empty Gun.
Indrapramit Das. Kali_Na.
Rich Larson. Painless.
A.T. Greenblatt. Give the Family My Love.