Sometimes a story has simply too strong a resonance with another story, or, in this case, a film, to really be comfortable with. Here humanity has been reduced to a fraction of its previous numbers by alien invaders. Travelling by night to avoid detection, and having to avoid making any noise when the aliens are about, as sound is their means of both finding us, and killing us, a couple come across a young boy who has managed to outwit the aliens. The scene of them hiding in an attic, listening to the booming noises of the aliens, and then, when inadvertently making an noise, having tentacles lash out at them, came across to me as being just too close to Spielberg’s WotW for comfort.
- Gareth L. Powell. Fallout. (Conflicts).
- Una McCormack. War Without End. (Conflicts).